This paper reconsiders Andrea Doria\u27s 16th-century villa in Genoa as an architectural and garden monument in relation to its original suburban setting.¹ The villa has thus far been discussed primarily as a decorative monument, with scholars focusing their attention upon the interior fresco and stucco decorations of Perino del Vaga and façade paintings by Perino, Beccafumi, and Pordenone.² However, these paintings have not been understood fully in terms of the architectural, garden, and suburban context of the villa, which serves as the focus of this study.
展开▼
机译：本文重新考虑了安德里亚·多里亚（Andrea Doria）在热那亚的16世纪别墅，将其作为与其原始郊区环境相关的建筑和花园纪念碑。¹迄今为止，该别墅主要被当作装饰纪念碑，学者们将注意力集中在室内壁画上。以及Perino del Vaga的灰泥装饰以及Perino，Beccafumi和Pordenone的外墙画。²但是，这些画在别墅的建筑，花园和郊区环境方面尚未得到充分了解，这是该别墅的重点。研究。
展开▼
